{"id":22,"date":"2020-08-27T06:49:29","date_gmt":"2020-08-27T06:49:29","guid":{"rendered":"https:\/\/aleksandrapiasecka.com\/?page_id=22"},"modified":"2026-09-04T09:59:10","modified_gmt":"2026-09-04T09:59:10","slug":"artworks","status":"publish","type":"page","link":"https:\/\/aleksandrapiasecka.com\/pl\/artworks\/","title":{"rendered":"PRACE"},"content":{"rendered":"

\u00a0<\/h4>\n

Cykl:\u00a0Kariatydy<\/strong><\/h5>\n
Zawieszona pomi\u0119dzy rozpadem a trwaniem.<\/h5>\n

Prace koncentruj\u0105 si\u0119 na kobiecie jako strukturze poddanej napi\u0119ciu \u2014 mi\u0119dzy ci\u0119\u017carem codzienno\u015bci a potrzeb\u0105 wzrostu.<\/p>\n

CARYATIDS 01<\/p>\n

To co przyt\u0142acza zaczyna budowa\u0107.<\/p>\n

Na faluj\u0105cym pasie, kszta\u0142tem przypominaj\u0105cym delikatny kr\u0119cony w\u0142os, zawieszone s\u0105 worki. Wype\u0142nione ci\u0119\u017carem rozci\u0105gaj\u0105 materi\u0119. Zamiast jednak ci\u0105\u017cy\u0107 ku do\u0142owi pn\u0105 si\u0119 w g\u00f3r\u0119, a\u017c natrafi\u0105 na sufit i b\u0119d\u0105 dla niego oparciem.<\/p>\n

Cykl: Kariatydy, n.01
Blown-glass, marble powder and resin | 2026
300 H x 75 W x 70 D (cm)<\/p>\n

Cykl: Woman being<\/strong><\/h5>\n

<\/p>\n

The form is not deformed, but exceeds its own boundaries, as matter begins to operate according to its own logic \u2014 simultaneously overwhelming and stabilizing, leading to forms Suspended between disintegration and persistence.<\/p>\n

BURDEN OF NECESSITY ( Ci\u0119\u017cary Konieczno\u015bci )<\/p>\n

Ci\u0119\u017car, kt\u00f3ry buduje struktur\u0119 wzrostu.<\/p>\n

Przyt\u0142oczona, na granicy rezygnacji i pogr\u0105\u017cenia si\u0119 w swojej s\u0142abo\u015bci znajduje, w samym jej j\u0105drze, si\u0142\u0119 do wydostania si\u0119 z opresji, pokonania kryzysu.<\/p>\n

Cykl: Woman being n.9
Py\u0142 marmurowy i \u017cywica I 2023
39 H x 22 W x 25 D (cm)
Edycja 3\/5 I Dost\u0119pna<\/p>\n

dominanceIN THE WIND OF DUTY<\/p>\n

Kobieta z fantastycznym poro\u017cem - trofeum. Symbolika poro\u017ca w kontek\u015bcie m\u0119sko\u015bci jest oczywista, w\u0142adza, si\u0142a, szlachetno\u015b\u0107, a tak\u017ce odnowa i cykl \u017cycia. A co je\u017celi skonfrontuje si\u0119 je z kobieco\u015bci\u0105? Czy znaczenie mo\u017ce pozosta\u0107 podobne?<\/p>\n

\t\tCykl: Woman being n.18
Py\u0142 marmurowy i \u017cywica I 2025
40Hx56Wx35D (cm)
Edycja 1\/8 I Dost\u0119pna<\/p>\n

STRENGTH AND BURDEN ( Si\u0142a i Obci\u0105\u017cenie )<\/p>\n

Dlaczego zawsze ogl\u0105da si\u0119 za siebie?
Pn\u0105ca si\u0119 ku g\u00f3rze materia to jej si\u0142a, ciekawo\u015b\u0107 \u015bwiata, marzenia, d\u017awiga bezw\u0142adnie wisz\u0105ce wory po\u015bwi\u0119cenia i wyrzut\u00f3w sumienia.<\/p>\n

\u201eJej grzbiet dziwi si\u0119,
\u017be nie p\u0119knie.
Jej r\u0119ce dziwi\u0105 si\u0119,
\u017be nie odpadn\u0105.
Ona si\u0119 nie dziwi.\"<\/p>\n

Anna \u015awirszczy\u0144ska<\/p>\n

\t\tPy\u0142 marmurowy i \u017cywica I 2024
198 H x 45 W x 45 D (cm)
Edycja 1\/8 I Dost\u0119pna<\/p>\n

DANS LE BLEU DU CIEL ( W b\u0142\u0119kicie )<\/p>\n

Zawieszona w pr\u00f3\u017cni, chcia\u0142aby si\u0119 ukry\u0107, znikn\u0105\u0107, ale niczym plama na b\u0142\u0119kitnym niebie, ods\u0142oni\u0119ta, samotna, zapada si\u0119 w sobie.<\/p>\n

Tytu\u0142 nawi\u0105zuje do obrazu Kandinsky'ego \u201cBleu du ciel\u201d. Tam kolor nieba silnie kontrastuje z trudn\u0105 rzeczywisto\u015bci\u0105, wprowadzaj\u0105c cie\u0144 nadziei.<\/p>\n

\t\tCykl: Woman Being n.16
Py\u0142 marmurowy i \u017cywica I 2024
68,5Hx33,5Wx30D (cm)
Edycja 2\/8 I Dost\u0119pna<\/p>\n

M<\/p>\n

Mi\u0119dzy macierzy\u0144stwem a podmiotowo\u015bci\u0105.<\/p>\n

Narastaj\u0105ca struktura materii jednocze\u015bnie unosi i obci\u0105\u017ca, sugeruj\u0105c wewn\u0119trzny proces akumulacji my\u015bli, napi\u0119\u0107 i wyparcia. Punktem wyj\u015bcia jest spos\u00f3b przedstawienia Madonny w malarstwie Fra Filippo Lippiego, szczeg\u00f3lnie jej nieobecne spojrzenie.<\/p>\n

\t\tCykl: Woman Being n.14
Py\u0142 marmurowy i \u017cywica I 2024
100 H x 23 W x 22 D (cm)
Edycja 1\/8 I Dost\u0119pna<\/p>\n

TRAPS OF HABITS ( Pu\u0142apki Przyzwyczaje\u0144 )<\/p>\n

Prac\u0119 stworzy\u0142am z moich rajstop, w kt\u00f3rych biega\u0142am po Pary\u017cu w 2008-2009 roku, pracuj\u0105c tam jako architektka.
Kobieta przez lata obrasta w przyzwyczajenia, magazynuje drobiazgi, pami\u0105tki, ubrania. Ten ca\u0142y baga\u017c buduje nasze poczucie bezpiecze\u0144stwa, ale jednocze\u015bnie staje si\u0119 ci\u0119\u017carem, kt\u00f3ry blokuje nas w dalszym rozwoju.<\/p>\n

Cykl: Woman Being n.12
Py\u0142 marmurowy i \u017cywica I 2024
107 H x 40 W x 47 D (cm)
Edycja 1\/8 I Dost\u0119pna<\/p>\n

BULGAVA<\/p>\n

Niezg\u0142\u0119bione bogactwo my\u015bli i uczu\u0107, nieokie\u0142znana materia, kt\u00f3ra kr\u0105\u017cy, faluje, rozlewa si\u0119. Kobieta usi\u0142ujes <\/em>nad ni\u0105 panowa\u0107, trzyma\u0107 w ryzach, mimo \u017ce przes\u0142ania jej oczy.<\/p>\n

\t\tCykl: Woman Being n.12
Py\u0142 marmurowy i \u017cywica I 2025
52 H x 23 W x 29 D (cm)
Edition: 3\/8 | Available<\/p>\n

REACHING FOR THE UNKNOWN<\/p>\n

\t\tCykl: Woman Being n.13
Py\u0142 marmurowy i \u017cywica I 2024
23 H x 39 W x 29 D (cm)
Edycja 2\/8 I Dost\u0119pna<\/p>\n

PERFECT CLOUD<\/p>\n

Przypomnienie naszych marze\u0144.<\/p>\n

Wyobra\u017cenie nas samych. Wizja do kt\u00f3rej d\u0105\u017cymy lub wydaje nam si\u0119, \u017ce musimy d\u0105\u017cy\u0107. W m\u0142odo\u015bci tak oczywista do zrealizowania, p\u00f3\u017aniej staje si\u0119 rozmyta i niedo\u015bcigniona. Coraz g\u0142\u0119biej ukryta, ale jak\u017ce droga.<\/p>\n

\t\tCykl: Woman Being n.11
Br\u0105z I 2023
24,5 H x 35 W x 21 D (cm)
Edycja 2\/8 I Dost\u0119pna<\/p>\n

MY CLOUD<\/p>\n

\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"
\n\t\tSeries: Woman being, n.11c
Marble powder and resin | 2026
11,5 H x 19 W x 13 D (cm)
Edycja 1\/8 I Dost\u0119pna<\/p>\n

UNCOMBED THOUGHTS ( My\u015bli nieuczesane )<\/p>\n

Izolacja staje si\u0119 pocz\u0105tkiem formy.<\/p>\n

She draws on the environment, but creation needs isolation. In remoteness and solitude, intellectual liberation takes place, awakening an inner wealth of emotions, a multiplicity of interpretations and intentions. They flow around the head like billowing smoke, exploding.<\/p>\n

\t\tCykl: Woman Being n.10
Py\u0142 marmurowy i \u017cywica I 2023
39 H x 23 W x 29 D (cm)
Edycja 4\/5 I Dost\u0119pna<\/p>\n

TIPPING POINT ( Punkt Zwrotny)<\/p>\n

\u201eTipping point\u201d przedstawia punkt zwrotny, krok w nieznane, kt\u00f3ry wymaga ogromnej determinacji i odwagi. Moment, kiedy ka\u017cdy scenariusz jest jeszcze mo\u017cliwy co wywo\u0142uje w nas strach i nadziej\u0119. P\u0142aszczyzna rze\u017aby jest granic\u0105 miedzy upadkiem a drog\u0105 do sukcesu. Twarz cz\u0119\u015bciowo zas\u0142oni\u0119ta wiruj\u0105c\u0105 materi\u0105 mo\u017ce zaczerpn\u0105\u0107 z niej energie lub zosta\u0107 poch\u0142oni\u0119ta bezpowrotnie.<\/p>\n

\t\tCykl: Woman Being n.7
Br\u0105z I 2022
39 H x 39 W x 22 D (cm)
Edycja 2\/8 I Dost\u0119pna<\/p>\n

Series: Vestalis<\/h4>\n

\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Vestalis\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n

The title of the sculpture \u2018Vestalis\u2019 indicates that the author\u2019s focus is on the role of woman as guardian. She makes a clear reference to the role played by selected women in ancient Rome.<\/p>\n

Si\u0142\u0105 wyrazu pracy jest powtarzalno\u015b\u0107 postaci. Ustawione w ci\u0105gu, s\u0105 odwo\u0142aniem do popularnego w kulturze ludowej wielu rejon\u00f3w Polski motywu dekoracyjnego papierowej wycinanki.<\/p>\n

Ka\u017cda kobieta wyrasta z kuli a\u017curowych pas\u00f3w, kt\u00f3rych kolorystyka symbolizuje: korzenie, natur\u0119, kobieco\u015b\u0107. Wz\u00f3r zaczerpni\u0119ty jest ze stylistyki \u0142owickich pas\u00f3w regionu Mazowsza, gdzie aktualnie pracuje autorka.<\/p>\n

Na kolorowej bazie postacie balansuj\u0105 w poszukiwaniu r\u00f3wnowagi. Elementem stabilizuj\u0105cym jest bia\u0142y pas \u0142\u0105cz\u0105cy je z innymi. Im westalek wi\u0119cej tym ta wie\u017a staje si\u0119 silniejsza, staje si\u0119 gwarantem trwa\u0142o\u015bci i ci\u0105g\u0142o\u015bci. <\/p>\n

U\u0142o\u017cenie w\u0142os\u00f3w stapiaj\u0105cych si\u0119 z kszta\u0142tem sylwetki przypomina jajo, symbol \u017cycia. Fryzura przywo\u0142uje na my\u015bl nowoczesne ci\u0119cie, a mo\u017ce zbyt du\u017cy \u017co\u0142nierski he\u0142m. Sugeruje, \u017ce rola kobiety, kt\u00f3r\u0105 narzuca wsp\u00f3\u0142czesny \u015bwiat jest zbyt trudna, ale dzi\u0119ki w\u0142asnej sile wzmacnianej wi\u0119zi\u0105 z innymi, zakorzenionej w kulturze, kobieta potrafi jej sprosta\u0107.<\/p>\n

VESTALIS<\/p>\n

Z godno\u015bci\u0105 i wdzi\u0119kiem unosi w g\u00f3r\u0119 go\u0142\u0119bie. Ptaki, o symbolice wykorzystywanej w sztuce przez wieki, w d\u0142oniach kobiety mog\u0105 prowokowa\u0107 ca\u0142\u0105 gam\u0119 skojarze\u0144. Stra\u017cniczka pokoju, mi\u0142o\u015bci, r\u00f3wnowagi spleciona w nieko\u0144cz\u0105cym si\u0119 ci\u0105gu mi\u0119dzypokoleniowej wi\u0119zi kobiet. Nabiera szczeg\u00f3lnego znaczenia na tle dzisiejszych wydarze\u0144<\/p>\n

Krucha, delikatna, ulotna w z\u0142owrogim otoczeniu, jak na obrazie \u201eZaginiona infantka\u201d surrealistki Marion Adnams. Nawi\u0105zaniem do tej pracy jest r\u00f3wnie\u017c konstrukcja sp\u00f3dnicy. Zamiast papieru autorka u\u017cywa siatki. Jej zwiewno\u015b\u0107 sugeruje gotowo\u015b\u0107 do uwolnienia si\u0119, otwarcia na now\u0105 rzeczywisto\u015b\u0107.<\/p>\n

Potrzeb\u0119 wolno\u015bci i akceptacji silnie akcentuje odrzucenie ubioru.<\/p>\n

\u201eVestalis\u201d ma wywo\u0142ywa\u0107 poczucie si\u0142y i nadziei czerpanej z natury, w\u0142asnej to\u017csamo\u015bci wi\u0119zi mi\u0119dzyludzkich. Tylko przys\u0142ona na oczach przypomina o przeciwno\u015bciach i ograniczeniach. Ten detal wprowadza pewien niepok\u00f3j i stawia znaki zapytania.<\/p>\n

Py\u0142 marmurowy i \u017cywica, stal I 2022
230 H x 190 W x 190D (cm)
Edycja 2\/7I Dost\u0119pna<\/p>\n

Off series<\/h4>\n

RAY OF LIGHT<\/p>\n

\u015awiat\u0142o po\u0142udniowej Francji od wiek\u00f3w inspiruje i przyci\u0105ga artyst\u00f3w. \u201ePromie\u0144 \u015bwiat\u0142a\u201d przedstawia moment wystawienia twarzy na s\u0142o\u0144ce, moment prawdziwego po\u0142\u0105czenia si\u0119 z energi\u0105 i czerpania z niej si\u0142y. Ta rze\u017aba jest dla niej punktem zwrotnym, czerpi\u0105cym energi\u0119 i odnajduj\u0105cym w sobie odwag\u0119.<\/p>\n

Bronze | 2020
190 H x 120 W x 190 D (cm)<\/p>\n

Private collection. Garden of apartament complex \u201e Jardin des Arts\u201d Hy\u00e8res \u2013 C\u00f4te-d’Azur (French Riviera), France.<\/p>\n

\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\tClick here
\n\t\t\t\t\t<\/a><\/p>","protected":false},"excerpt":{"rendered":"

\u00a0 Series:\u00a0Caryatids Suspended between disintegration and persistence. The work focuses on the female as a structure under tension \u2014 between the weight of everyday life and the need for growth and its transcendence, developed through gravity, stretching, and the accumulation of matter. CARYATIDS 01 What should burden begins to construct. Along a wavering band, reminiscent […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-22","page","type-page","status-publish","hentry"],"yoast_head":"\nARTWORKS - Aleksandra Piasecka<\/title>\n<meta name=\"description\" content=\"Aleksandra Piasecka is a contemporary sculptor based in Warsaw. 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