{"id":4159,"date":"2026-10-11T12:53:50","date_gmt":"2026-10-11T12:53:50","guid":{"rendered":"https:\/\/aleksandrapiasecka.com\/?post_type=ap_artwork&#038;p=4159"},"modified":"2026-10-11T17:26:34","modified_gmt":"2026-10-11T17:26:34","slug":"nike-caryatid","status":"publish","type":"ap_artwork","link":"https:\/\/aleksandrapiasecka.com\/pl\/artworks\/nike-caryatid\/","title":{"rendered":"NIKE &#8211; CARYATID"},"content":{"rendered":"<p><em>Nike - Kariatyda<\/em>, instalacja na styku rze\u017aby i architektury, zbudowana z u\u017cywanych lin wspinaczkowych wybitnych polskich himalaist\u00f3w, bada r\u00f3\u017cne skale pami\u0119ci \u2014 od osobistego do\u015bwiadczenia po pami\u0119\u0107 zbiorow\u0105 zapisan\u0105 w historii i materii.<\/p>\n\n\n\n<p class=\"translation-block\">Forma rze\u017aby nawi\u0105zuje do obrazu <em>I Saw Three Cities<\/em> Kay Sage. Z jednej strony przywo\u0142uje skojarzenia z Nike, bogini\u0105 zwyci\u0119stwa, z drugiej stanowi filar wspieraj\u0105cy i tym samym nadaje kobiecie rol\u0119 kariatydy. Po\u0142\u0105czenie tych dw\u00f3ch element\u00f3w definiuje kobiet\u0119 jako \u017ar\u00f3d\u0142o si\u0142y i wsparcia w procesie odkrywania \u015bwiata<\/p>\n\n\n\n<details class=\"wp-block-details artwork-details is-layout-flow wp-block-details-is-layout-flow\"><summary>... czytaj wi\u0119cej<\/summary>\n<p><\/p>\n\n\n\n<p>Kilkumetrowa forma przypominaj\u0105ca fragment unosz\u0105cej si\u0119 ku g\u00f3rze tkaniny wyrasta z trzech k\u0142\u0119b\u00f3w splecionych ze sob\u0105 lin wspinaczkowych, kt\u00f3re stopniowo przechodz\u0105 w jedn\u0105 struktur\u0119. Forma pozostaje w napi\u0119ciu pomi\u0119dzy ci\u0119\u017carem a lekko\u015bci\u0105, materi\u0105 i ruchem, przywo\u0142uj\u0105c \u015blad nieobecnej postaci. Trzy splataj\u0105ce si\u0119 elementy odwo\u0142uj\u0105 si\u0119 do r\u00f3\u017cnych wymiar\u00f3w pami\u0119ci \u2013 osobistej, rodzinnej i zbiorowej \u2013 kt\u00f3re wzajemnie si\u0119 przenikaj\u0105 i tworz\u0105 wsp\u00f3ln\u0105 histori\u0119.<\/p>\n\n\n\n<p>Budulcem instalacji s\u0105 u\u017cywane liny wspinaczkowe nale\u017c\u0105ce do wybitnych polskich himalaist\u00f3w. Ka\u017cda z nich opatrzona jest etykiet\u0105 zawieraj\u0105c\u0105 nazw\u0119 zdobytej g\u00f3ry, nazwisko wspinacza oraz imi\u0119 kobiety, kt\u00f3rej obecno\u015b\u0107, codzienna praca i wsparcie by\u0142y cz\u0119\u015bci\u0105 tego osi\u0105gni\u0119cia. Informacje te ujawniaj\u0105 si\u0119 dopiero z bliska, pozwalaj\u0105c odkrywa\u0107 indywidualne historie wpisane w wi\u0119ksz\u0105 opowie\u015b\u0107.<\/p>\n\n\n\n<p>Wybranie tej szczeg\u00f3lnej dziedziny ma dla Aleksandry Piaseckiej wymiar osobisty. Artystka jest c\u00f3rk\u0105 himalaisty Przemys\u0142awa Piaseckiego, zdobywcy K2 (Magic Line - 1986 r.). W 2025 roku odwiedzi\u0142a podn\u00f3\u017ca tej g\u00f3ry, a do\u015bwiadczenie to sta\u0142o si\u0119 inspiracj\u0105 do rozwa\u017ca\u0144 nad \u015bladami, jakie pozostawiaj\u0105 ludzie, wydarzenia i relacje. <\/p>\n\n\n\n<p>Projekt jest r\u00f3wnie\u017c kontynuacj\u0105 zainteresowania artystki relacj\u0105 pomi\u0119dzy rze\u017ab\u0105 i architektur\u0105. Tak jak cz\u0142owiek wyrasta w okre\u015blonym \u015brodowisku, kontek\u015bcie kulturowym i historycznym, tak r\u00f3wnie\u017c pami\u0119\u0107 nie istnieje w pr\u00f3\u017cni. \nKariatyda jest elementem podtrzymuj\u0105cym konstrukcje\u0328, podobnie jak pami\u0119c\u0301 podtrzymuje nasz\u0105 to\u017csamos\u0301c\u0301.<\/p>\n\n\n\n<p>Projekt nawi\u0105zuje do wyj\u0105tkowego dziedzictwa polskiego himalaizmu i osi\u0105gni\u0119\u0107 <em>Lodowych Wojownik\u00f3w<\/em>, ale przede wszystkim jest pr\u00f3b\u0105 przywr\u00f3cenia pami\u0119ci o tych, kt\u00f3rych obecno\u015b\u0107 pozostaje niewidoczna. Aleksandra odkrywa historie kobiet \u2013 matek, \u017con, partner\u00f3w i c\u00f3rek \u2013 kt\u00f3rych codzienno\u015b\u0107 i wsparcie wsp\u00f3\u0142tworzy\u0142y wielkie osi\u0105gni\u0119cia, cho\u0107 rzadko stawa\u0142y si\u0119 cz\u0119\u015bci\u0105 oficjalnej narracji. Granica pomi\u0119dzy histori\u0105 a symbolem, pomi\u0119dzy tym, co zapisane, a tym, co istnieje jedynie jako echo czyjej\u015b obecno\u015bci, wydaje jej si\u0119 szczeg\u00f3lnie istotna.<\/p>\n\n\n\n<p>U\u017cywane liny wspinaczkowe zachowuj\u0105 \u015blady czasu, wysi\u0142ku i drogi. Ka\u017cda z nich jest \u015bwiadectwem konkretnego do\u015bwiadczenia, ale dopiero splecione razem tworz\u0105 ca\u0142o\u015b\u0107. Monumentalna forma rze\u017aby staje si\u0119 pr\u00f3b\u0105 nadania materialnej postaci pami\u0119ci \u2013 tej osobistej, rodzinnej i zbiorowej. Pojedyncze historie splataj\u0105 si\u0119 w tkank\u0119 kultury i trwaj\u0105 d\u0142u\u017cej ni\u017c ich bezpo\u015bredni \u015bwiadkowie. To, co pozostaje niewidoczne, cz\u0119sto okazuje si\u0119 fundamentem tego, co trwa najd\u0142u\u017cej.<\/p>\n\n\n\n<p>Projekt zosta\u0142 wybrany w open call i zrealizowany w ramach VII Mi\u0119dzynarodowego Sympozjum Rze\u017aby Wsp\u00f3\u0142czesnej w Oro\u0144sku.<\/p>\n<\/details>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Nike \u2013 Caryatid, an installation at the intersection of sculpture and architecture, composed of used climbing ropes of renowned Polish mountaineers, explores different scales of memory \u2014 from personal experience to collective memory inscribed in history and matter. The form of the sculpture refers to Kay Sage\u2019s painting I Saw Three Cities. On the one [&hellip;]<\/p>\n","protected":false},"featured_media":4161,"template":"","meta":{"_ap_artwork_series_number":"","_ap_artwork_material":"Used climbing ropes belonging to outstanding Polish Himalayan mountaineers. Andrzej Bargiel, Kinga Baranowska, Jaros\u0142aw Botor, Mariusz Hata\u0142a, Marcin Kaczkan, Waldemar Kowalewski, Piotr Krzy\u017cowski, Wojciech Kurtyka, Maciej Pawlikowski, Ryszard Paw\u0142owski, Przemys\u0142aw Piasecki, Zbigniew Skierski, Piotr Snopczy\u0144ski, Robert Szymczak, Anna Okopi\u0144ska, Krzysztof Wielicki, Ludwik Wilczy\u0144ski, Dariusz Za\u0142uski, Bartek Ziemski. Climbers whose ropes were handed down by their heirs: Halina Kr\u00fcger-Syrokomska, Jerzy Kukuczka, Andrzej Zawada","_ap_artwork_year":"2026","_ap_artwork_dimensions":"400x230x70","_ap_artwork_edition":"","_ap_artwork_status":"","_ap_artwork_process_page":3832,"_ap_artwork_gallery":[4165,4166,4167,4168],"_ap_artwork_display_order":1,"_ap_artwork_media":["attachment:4165","attachment:4166","attachment:4167","attachment:4168","youtube:-z5frf4vuis"],"footnotes":""},"ap_artwork_series":[39],"ap_artwork_group":[38],"class_list":["post-4159","ap_artwork","type-ap_artwork","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>NIKE - CARYATID - Aleksandra Piasecka<\/title>\n<meta name=\"description\" content=\"Nike - Caryatid, an installation at the intersection of sculpture and architecture, composed of used climbing ropes of renowned Polish mountaineers, explores different scales of memory \u2014 from personal experience to collective memory inscribed in history and matter. 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